Department of Foreign Languages
http://hdl.handle.net/11394/59
2024-03-28T13:28:52ZDiversity and cultural pluralism with regard to globalization and the universality of the message of Islam: A study on the fundamentals of discourse in a diverse and multiplex world
http://hdl.handle.net/11394/9819
Diversity and cultural pluralism with regard to globalization and the universality of the message of Islam: A study on the fundamentals of discourse in a diverse and multiplex world
Sheta, Ahmed Moustafa Mohamed
Globalization refers to the process of changing the world into a monolithic system for all who live in it and integrating peoples' economic, social, and intellectual activities regardless of religion, culture, nationality, or ethnicity.
The challenge of globalization stems from the perspective that it is in opposition to the realities of plurality and diversity that humankind demonstrates. Races, civilizations, faiths, and passions differ, and it is impossible to remove all the inequalities and distinctions that create the image of human life at any given time. If history cannot be reduced to a single shape, culture, or language, what is the need to reduce the world's diversity to a single style, and what may explain such a trend or theory?
Masters of Art
2022-01-01T00:00:00ZA critical analysis of the influence of culture and gender on isiXhosa literature
http://hdl.handle.net/11394/9802
A critical analysis of the influence of culture and gender on isiXhosa literature
Fanishe, Nomvuyiso
The study aims to acquire additional information or earn an improved thoughtful of the prominence of evaluating the influence of culture and gender on isiXhosa literature. The intention is to scrutinize the impression of culture and gender demonstration in literature. Furthermore, to have a detailed indulgence of elements of literature on how the study is constructed. this study anticipates evaluating the supremacy of Xhosa culture and gender in literature. The study is accompanied by the aim and vision of learning and acquiring an understanding of the inspiration of literature in culture by seeing a few mentioned literary texts.
Masters of Art
2022-01-01T00:00:00ZA Grammar of Baca and its relation to Swazi, Zulu and Xhosa
http://hdl.handle.net/11394/9767
A Grammar of Baca and its relation to Swazi, Zulu and Xhosa
Hallowes, D.P
The material for this work is based" on field work conducted during three. weeks in February and two weeks in September, 1941. Both periods were spent at Lourdes in East Griqualand, a place well suited for a place well suited for the purpose, being the centre of an area inhabited by the Baca people. The only other important area is round Mount Frere. I am indebted to Reverend Father Jakob for his
assistance at Lourdes, to Mr L, I. Venable s and Mr. J. A. Campbell, both of the Johannesburg Municipal Native Affairs Department, for their courtesy in placing Baca speakers at my disposal, to Mr. l. A.H Mulcahy of the Main Pass Office , and Mr. A. G. T. Chaplin of the Swaziland. Government office, for their kind assistance in relation to Swazi, and. to the Inter-University Committee for African Studies for a grant for carrying out the necessary field work
Magister Artium - MA
1942-01-01T00:00:00ZThe preludes of Chopin
http://hdl.handle.net/11394/9688
The preludes of Chopin
Hardneck, Charllynne Lyndene
The essential feature of the prelude is to attract the listener's attention and define the pitch, mode or tonality. This can be the reason why preludes are often written in a selection of 24 maior tonalities. As one of the central features of a prelude is to define the pitch or key of a piece, Chopin's preludes Opus 28 move through a logical tonal sequence of major and minor keys. Chopin did not invent this principle. J.N. Hummel had published a set of 24 preludes in major and minor keys in Opus 67,in the year 1814. It is believed that these works of Hummel influenced Chopin when he later wrote his set of 24 preludes, Opus 28 fi 836-1839). ln his music, Hummel was fond of homophonic
textures with Italian melodies. He also used virtuoso passages in his right handparts, while the left hand would play Alberti accompaniments. Hummel also made frequent use of third-relationships, secondary and tertiary dominants and chromatic passing notes. These traits can also be seen in Chopin's Opus 28.
Magister Curationis - MCur
1996-01-01T00:00:00Z