The politics of production of archaeological knowledge :a case study of the later stone age rock art paintings of Kasam, Northern Zambia

dc.contributor.advisor	Witz, Leslie
dc.contributor.author	Lishiko, Billiard Berbbingtone
dc.contributor.other	Dept. of History
dc.contributor.other	Faculty of Arts
dc.date.accessioned	2013-06-14T06:54:12Z
dc.date.available	2007/04/16 14:07
dc.date.available	2007/04/16
dc.date.available	2013-06-14T06:54:12Z
dc.date.issued	2004
dc.identifier.uri	http://hdl.handle.net/11394/1411
dc.description	Magister Artium - MA	en_US
dc.description.abstract	The main purpose of this study was to investigate and examined the politics in the production of archaeological knowledge especially in rock art, at academic, heritage institutions and national and global level. It aims to trace and examine the development and movement of particular hypotheses or interpretations and their appropriateness in the study and management of rock art heritage in southern Africa.	en_US
dc.language.iso	en	en_US
dc.publisher	University of the Western Cape	en_US
dc.subject	Rock paintings	en_US
dc.subject	Zambia	en_US
dc.subject	Kasam	en_US
dc.subject	Petroglyphs	en_US
dc.subject	Kasam Kasam (Zambia)	en_US
dc.subject	Antiquities	en_US
dc.title	The politics of production of archaeological knowledge :a case study of the later stone age rock art paintings of Kasam, Northern Zambia	en_US
dc.type	Thesis	en_US
dc.rights.holder	University of the Western Cape	en_US
dc.description.country	South Africa