Memory and documentation in exhibition-making: a case study of the Protea village exhibition, a history of paradise 1829 - 2002
| dc.contributor.advisor | Rassool, Ciraj | |
| dc.contributor.author | Baduza, Uthando Lubabalo | |
| dc.date.accessioned | 2014-10-13T13:21:24Z | |
| dc.date.available | 2014-10-13T13:21:24Z | |
| dc.date.issued | 2008 | |
| dc.identifier.uri | http://hdl.handle.net/11394/3763 | |
| dc.description | Magister Artium - MA | en_US |
| dc.description.abstract | This mini-thesis seeks to interrogate the interplay between memory and documentation in the process of exhibition-making by a looking at the preparation for and mounting of the exhibition, Museum. This will be achieved by looking at the institutional methodologies employed by the Museum in dealing with ex-residents of District Six, their memories and artefacts in the heritage practice of a Museum as a forum. This practice was put into effect as the District Six Museum engaged ex-residents of other locations of removal. | en_US |
| dc.language.iso | en | en_US |
| dc.subject | Reconstruction | en_US |
| dc.subject | Protea village | en_US |
| dc.subject | District six museum | en_US |
| dc.title | Memory and documentation in exhibition-making: a case study of the Protea village exhibition, a history of paradise 1829 - 2002 | en_US |
| dc.rights.holder | uwc | en_US |
