| dc.contributor.advisor | Woodward, W | |
| dc.contributor.author | Hagemann, Michael Eric | |
| dc.contributor.other | Dept. of English | |
| dc.contributor.other | Faculty of Arts | |
| dc.date.accessioned | 2013-06-20T13:22:28Z | |
| dc.date.available | 2007/03/28 10:18 | |
| dc.date.available | 2007/03/28 | |
| dc.date.available | 2013-06-20T13:22:28Z | |
| dc.date.issued | 2005 | |
| dc.identifier.uri | http://hdl.handle.net/11394/1526 | |
| dc.description | Magister Artium - MA | en_US |
| dc.description.abstract | This thesis sought to demonstrate that humour and the grotesque are the primary tools by which Mda achieve his postcolonial strategies of "writing back" that is, of asserting an identity in the face of colonial pressures, apartheid and the growing selfishness of many in the new, post-democratic South African society. | en_US |
| dc.language.iso | en | en_US |
| dc.publisher | University of the Western Cape | en_US |
| dc.subject | South African wit and humor | en_US |
| dc.subject | Humor in literature | en_US |
| dc.subject | Mda Zakes 1948 | en_US |
| dc.subject | Criticism and interpretation | en_US |
| dc.title | Humour as a postcolonial strategy in Zakes Mda's novel, The heart of redness | en_US |
| dc.type | Thesis | en_US |
| dc.rights.holder | University of the Western Cape | en_US |
| dc.description.country | South Africa | |
