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'Looking good, clean and fresh': Visual representations of the self in the Van Kalker Studio, Cape Town 1939-1978
(University of the Western Cape, 2011)
This mini-thesis attempts to analyse the way in which Van Kalker photographs enabled
representations of the self and allowed sitters a means through which to assert themselves visually especially when considered against ...
Visualizing Volkekunde: Photography in the Mainstream and Dissident Tradition of Afrikaner Ethnology, 1920-2013
(University of Western Cape, 2020)
This mini-thesis explores the role of photography in the mainstream and dissident tradition of Afrikaner ethnology (volkekunde) from the time of its establishment at Stellenbosch University in the 1920s through to its ...