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"Passing women": gender and hybridity in the fiction of three female South African authors
(University of the Western Cape, 2012)
A key aim of this study is to shed light on the representation of coloured women with reference to racial passing, using fictive characters depicted in Sarah Gertrude Millin’s (1924) God's Stepchildren, Zoë Wicomb's (2006) ...
Negotiation of identities and language practices among Cameroonian immigrants in Cape Town
(University of the Western Cape, 2011)
This thesis is an exploration of the historical, socio-cultural, economic, and political settings in which identities are negotiated and performed among Cameroonian immigrants in Cape Town. Focusing on language as localized ...
Whiteness and the narration of self: an exploration of whiteness in post-apartheid literary narratives by South African journalists
(University of the Western Cape, 2012)
Drawing on broader discussions that attempt to envision new ways of negotiating identity, nationalism and race in a post-colonial, post-apartheid South Africa, this thesis examines how whiteness is constructed and negotiated ...
African traditional culture and modernity in Zakes Mda’s the heart of redness
(2005)
In my thesis entitled ‘African Tradition and Modernity in Zakes Mda’s The Heart of
Redness’, I analyze the way Western modernity and African traditions interact in
Mda’s novel. I suggest that both modernity and tradition ...
Remediation and intertextuality in Garner's 'politically correct' representation of Cinderella
(University of the Western Cape, 2017)
Fairy tales have been changing continuously. From the likes of the Greek and Chinese
versions of the Cinderella tale, Cinderella has been transformed into other versions.
Charles Perrault and The Brothers Grimm had their ...