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dc.contributor.advisorBecker, Heike
dc.contributor.authorMamadi, Masete
dc.contributor.other
dc.contributor.otherFaculty of Arts
dc.date.accessioned2013-06-18T08:08:56Z
dc.date.available2007/04/16 15:14
dc.date.available2007/04/16
dc.date.available2013-06-18T08:08:56Z
dc.date.issued2004
dc.identifier.urihttp://hdl.handle.net/11394/1463
dc.descriptionMagister Artium - MA (Anthropology/Sociology)en_US
dc.description.abstractCultural tourism is a vehicle for economic growth. Cultural representations are made in order to make the cultural tourism sector a more vibrant one. Given this argument, research in cultural tourism should take a critical stance in the analysis of cultural representations. An understanding of the meaning of culture is necessary to analyse the comparison of daily life with cultural representations. Observing the daily lives of host communities creates a conductive environment for realising and understanding the gaps between tourists experiences and the daily realities of the host communities. This research analysed how people represent their culture to tourists through the sale of crafts and dance performances. The research was carried out in Leboeng village, on the border between Mpumalanga and Limpopo provinces, near the small town of Ohrigstad.en_US
dc.language.isoenen_US
dc.publisherUniversity of the Western Capeen_US
dc.subjectCulture and tourismen_US
dc.subjectSouth Africaen_US
dc.subjectMpumalangaen_US
dc.subjectTourismen_US
dc.subjectSocial aspectsen_US
dc.titleA critical analysis of the effects of tourism on cultural representation: a case study from Leboengen_US
dc.typeThesisen_US
dc.rights.holderUniversity of the Western Capeen_US
dc.description.countrySouth Africa


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