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Eros and politics: Love and its discontents in the fiction of Ngũgĩ wa Thiong’o
(University of the Western Cape, 2020)
In this study I focus on how Ngũgĩ wa Thiong’o’s fiction portrays his socio-political vision through the prevalence of the intimate relationships it displays. The study critically analyses the significant role romantic ...
‘Ag sjeim, siestog, sorry’: Tracing shame’s affect through performance in post-apartheid South Africa
(University of Western Cape, 2021)
In this study I investigate what performance as a medium can contribute to our
understanding of shame's affect. Given the difficulty of defining and concretising affect
according to set parameters and outcomes, critical ...
Zimbabwe/Rhodesia writing home: Space, place, mobility and diasporic identity in selected novels
(University of Western Cape, 2021)
This thesis examines how “unhomeliness” in a Zimbabwean context enjoins mobility
and the diasporic particularities that manifest as subjects move back and forth in a homemaking
journey between the country-side and the ...
The buried chameleon: A novel and critical reflective essay
(University of the Western Cape, 2022)
The critical-reflective component of the novel The Buried Chameleon explores the
background to the writing of the novel, how I conducted my research, the challenges of
writing a historical and contemporary dual narrative, ...
Bildungsroman writing by women in Africa and in the African diaspora
(University of the Western Cape, 2023)
The Bildungsroman has from inception traditionally been a male-dominated genre, but a number of significant women-authored novels written in the 20th century disrupt these established patterns. The thesis demonstrates how ...