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dc.contributor.advisorSaidi, Mustapha
dc.contributor.authorHassan, Fakhri
dc.date.accessioned2024-08-14T07:42:24Z
dc.date.available2024-08-14T07:42:24Z
dc.date.issued2023
dc.identifier.urihttp://hdl.handle.net/11394/10914
dc.descriptionDoctor Educationisen_US
dc.description.abstractBackground: The novel is considered to be one of the most famous and distinguished prosaic literary arts in the current era, which makes it the focus and target of researchers, writers, thinkers, critics and scholars. Due to the birth of the Arab novel as a modern literary art at the beginning of the last century it was able to absorb the contradictions of Arab societies. Its birth was closely linked to the flourishing of the national awareness of Arab thinkers and writers, as it is considered a reflection of political, social, cultural and purely humanitarian patterns and conditions encompassing all its problems, concerns and ambitions. The novel, according to (Genevieve Idt, 110:1986) is considered to be an interconnected social institution, close in its connection with reality in all its economic, political and social forms. Georg Lukács is considered one of the first critics who offered beneficial and meaningful theorisation about the fictional work through his book "The Theory of the Novel" issued in 1920. He regarded it as an epic pattern which simultaneously depicts a number of human characters, as well as the social and natural environment in which these characters interact amongst each other, that is, it depicts life completely.en_US
dc.language.isootheren_US
dc.publisherUniversity of the Western Capeen_US
dc.subjectArabic Novelen_US
dc.subjectStructuralismen_US
dc.subjectDeconstruction Theoryen_US
dc.subjectNarrative Structureen_US
dc.subjectLibyan societyen_US
dc.titleA critical and an analytical study of sadeq ai-naihoum’s novel min makkah ilā hunā (from Mecca to here) deconstructive and structural approachesen_US
dc.rights.holderUniversity of the Western Capeen_US


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