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dc.contributor.advisorWandrag, M.S.
dc.contributor.authorBaloyi, Jele Joel
dc.contributor.other
dc.contributor.otherFaculty of Law
dc.date.accessioned2013-05-28T07:22:02Z
dc.date.available2007/03/16 15:14
dc.date.available2007/03/16
dc.date.available2013-05-28T07:22:02Z
dc.date.issued2005
dc.identifier.urihttp://hdl.handle.net/11394/257
dc.descriptionMagister Legum - LLMen_US
dc.description.abstractThis thesis aimed to examine the prevailing international intellectual property regime as embodied especially in the TRIPS Agreement, for purposes of outlining some of the criticisms levelled against it especially by the less developed world. The work aimed to illustrate how, despite the imperfections of the system, certain intellectual property rights could still be used strategically by African countries to bolster the entrepreneurial spirit, in the form of musical entrepreneurship for purposes of enhancing their international trade capacity.en_US
dc.language.isoenen_US
dc.publisherUniversity of the Western Capeen_US
dc.subjectInternational property (International law)en_US
dc.subjectInternational tradeen_US
dc.subjectCopyrighten_US
dc.subjectMusicen_US
dc.subjectSouth Africaen_US
dc.subjectArtistic performanceen_US
dc.titleIntellectual property, entrepreneurship and the music industry: a new ray of hope for enhancing African international trade capacity? A South African case studyen_US
dc.typeThesisen_US
dc.rights.holderUniversity of the Western Capeen_US
dc.description.countrySouth Africa


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