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dc.contributor.advisorTaylor, Jane
dc.contributor.authorKhumalo, Sibongile
dc.date.accessioned2020-02-06T06:58:38Z
dc.date.available2020-02-06T06:58:38Z
dc.date.issued2019
dc.identifier.urihttp://hdl.handle.net/11394/7098
dc.descriptionMagister Artium - MAen_US
dc.description.abstractliterature, music and culture”. As this statement suggests, ecocriticism is concerned with more than the representation of environmental questions in literature. It provides a way of examining the intersections and interconnections between the natural and human worlds. An ecocritical approach can examine the ways in which these interconnections are produced aesthetically in literature of different kinds, and not just literature that is overtly about the environment. I will argue in this thesis that the novels of one of the rising stars of African and world literature, Chimamanda Ngozi Adichie, are underpinned by an ecological aesthetic in this broad sense, and can, therefore, be read from an ecocritical perspective in the manner implied by Morton. This thesis will show that Adichie’s preoccupation with intersectionalities, interconnections and relationships lend her narratives to an eco-critical inquiry of this kind.en_US
dc.language.isoenen_US
dc.publisherUniversity of the Western Capeen_US
dc.subjectEcocriticismen_US
dc.subjectEcological thoughten_US
dc.subjectChimamanda Ngozi Adichieen_US
dc.subjectAnthropoceneen_US
dc.subjectPhallocentrismen_US
dc.subjectNigeriaen_US
dc.subjectAestheticsen_US
dc.titleUnder the Hibiscus: An eco-critical reading of Chimamanda Ngozi Adichie’s postcolonial novelsen_US
dc.rights.holderUniversity of the Western Capeen_US


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