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dc.contributor.advisorBirch, Alannah
dc.contributor.authorBirch, Alannah
dc.date.accessioned2020-11-11T13:41:01Z
dc.date.available2020-11-11T13:41:01Z
dc.date.issued2002
dc.identifier.urihttp://hdl.handle.net/11394/7450
dc.descriptionMagister Artium - MAen_US
dc.description.abstractMathew Arnold's 1867 poem presents romantic love as a condition of permanence that can offer refuge from a changeable world. Sixty years later, however, Virginia Woolf observes that romance has become rare as a subject of modern poetry. Her suggestion that there is an historical explanation for this change in literary subject matter is the starting point for this study of the representation of women in the early poetry of T.S. Eliot. Whereas Woolf tentatively dates the "death" of romance to the First World War I will suggest that this change in poetic sentiment is evident in Eliot's early work, some of which predates the war. In the poems under discussion, written between the years 1910 ("Portrait of a Lady" and "The Love Song of J.en_US
dc.language.isoenen_US
dc.publisherUniversity of Western Capeen_US
dc.subjectHeterosexualen_US
dc.subjectFirst World War Ien_US
dc.subjectRomanceen_US
dc.subjectGoverning metaphoren_US
dc.subjectModernismen_US
dc.title"The enemy of the absolute": Women in the early poetry of T.S.ELIOTen_US
dc.rights.holderUniversity of Western Capeen_US


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